How do you write a battle scene which engages your readers and drives the story on? It’s a question many authors of historical fiction fight with. Matthew Harffy, well known for his action-filled Bernicia Chronicles series, gives Historia his advice. All good stories need conflict, and what better way to convey conflict than to have […]
Historical fiction writing course: special offer for Historia readers
We’re delighted to announce a special offer for Historia readers who’d like to join the first Writing Historical Fiction course run by Curtis Brown Creative (CBC). The six-week online course is tutored by Stephanie Merritt, who, as SJ Parris, writes the best-selling and much-loved Giordano Bruno spy thrillers. Steph spoke to Curtis Brown Creative about […]
Historia interviews: Alexandra Walsh
Author Alexandra Walsh talks to Historia about her books, writing, research, women’s friendships, and her links with historical figures
How much should I explain? And how?
Dear Dr Darwin, As a reader of historical fiction I want to be in a place which may resonate in my world, but is not my world. That’s not only about politics and clothes, and how the people think and feel and believe, but in how they talk and write, and what they talk and […]
My writer’s circle friend keeps getting his facts wrong
Our resident agony aunt, Dr Darwin, answers a common question: how can we make sure our historical details are accurate – and believable? Dear Dr Darwin, Someone in my writers’ circle keeps getting facts wrong: things like calling a 17th-century character Tiffany, and giving her mother a vote in elections. He makes both of them keen […]
I want to write a parallel narrative novel, but I don’t know how
Historia’s resident agony aunt, Dr Darwin, answers another question about the craft (and art) of writing. This time: how to write a parallel narrative novel which grabs – and keeps – your reader. Dear Dr Darwin, I have fantastic idea for a novel which is made of two almost entirely separate historical narrative threads plaited […]
How do I convey necessary information without it being clunkingly obvious?
Author Emma Darwin explains how you make sure historical fiction readers get necessary information without it being clunkingly obvious
Finding your historical voice
Our resident agony aunt, Dr Darwin, answers a common question: How can I find a voice for my historical fiction? Dear Dr Darwin, Writing courses boast they’ll help you to “find your voice”, and “the voice” is the thing that publishers and therefore agents say they are looking for almost above all. But what does […]