Historia’s resident agony aunt, Dr Darwin, answers another question about the craft (and art) of writing. This time: how to write a parallel narrative novel which grabs – and keeps – your reader. Dear Dr Darwin, I have fantastic idea for a novel which is made of two almost entirely separate historical narrative threads plaited […]
How do I convey necessary information without it being clunkingly obvious?
Author Emma Darwin explains how you make sure historical fiction readers get necessary information without it being clunkingly obvious
Finding your historical voice
Our resident agony aunt, Dr Darwin, answers a common question: How can I find a voice for my historical fiction? Dear Dr Darwin, Writing courses boast they’ll help you to “find your voice”, and “the voice” is the thing that publishers and therefore agents say they are looking for almost above all. But what does […]
What counts as historical fiction?
Our resident agony aunt, Dr Darwin, answers a common question: what counts as historical fiction? Dear Dr Darwin, I told my grandmother that I was writing a historical novel set in the Liverpool of the early Beatles, and she laughed so hard she nearly fell off her motorbike. I told my brother the Beatles weren’t […]
How to Write a Historical Debut: A Cautionary Tale
HWA Debut Crown judge, Ben Fergusson, gives an inside view on what makes or breaks a historical
How do you research historical fiction?
Our resident agony aunt, Dr Darwin, answers a common question – how do you research historical fiction? Dear Dr Darwin, Everyone says “research till your eyes bleed” – you did in your post about cultural appropriation – but when I Google, all I can find is the information I know already, repeated in a million […]
Historia Interviews: Kate Mosse
The Burning Chambers, the first in a new series by Kate Mosse, is published today. Anna Mazzola met with her to discuss how to write compelling stories, what historical fiction says about the present day, pre-publication nerves and strong black coffee. Firstly, congratulations on a brilliant and gripping novel. I tore through it in a […]
Are there multicultural boundaries we must not cross in historical fiction?
Dear Dr Darwin, I’m working on a script that begins during the 1830’s. The central character is a fictional young Black teen, and two major characters are actual historical figures: a young Native American warrior and a mixed-blood warrior; the true purpose of the script is to tell their fascinating story. I, however, am White. […]