Historia’s resident agony aunt, Dr Darwin, answers another question about the craft (and art) of writing. This time: how to write a parallel narrative novel which grabs – and keeps – your reader. Dear Dr Darwin, I have fantastic idea for a novel which is made of two almost entirely separate historical narrative threads plaited […]
How do I convey necessary information without it being clunkingly obvious?
Author Emma Darwin explains how you make sure historical fiction readers get necessary information without it being clunkingly obvious
This is Not a Book About Charles Darwin by Emma Darwin
Everybody knows about Charles Darwin, and many know about others in his family, from Erasmus Darwin and Tom Wedgwood, the first photographer, to composer Ralph Vaughan Williams and poet and radical John Cornford, the first Briton to be killed in the Spanish Civil War. But when Charles and Emma Darwin’s great-great-granddaughter, another Emma Darwin, tried […]
Finding your historical voice
Our resident agony aunt, Dr Darwin, answers a common question: How can I find a voice for my historical fiction? Dear Dr Darwin, Writing courses boast they’ll help you to “find your voice”, and “the voice” is the thing that publishers and therefore agents say they are looking for almost above all. But what does […]
What counts as historical fiction?
Our resident agony aunt, Dr Darwin, answers a common question: what counts as historical fiction? Dear Dr Darwin, I told my grandmother that I was writing a historical novel set in the Liverpool of the early Beatles, and she laughed so hard she nearly fell off her motorbike. I told my brother the Beatles weren’t […]
How do you research historical fiction?
Our resident agony aunt, Dr Darwin, answers a common question – how do you research historical fiction? Dear Dr Darwin, Everyone says “research till your eyes bleed” – you did in your post about cultural appropriation – but when I Google, all I can find is the information I know already, repeated in a million […]
Are there multicultural boundaries we must not cross in historical fiction?
Dear Dr Darwin, I’m working on a script that begins during the 1830’s. The central character is a fictional young Black teen, and two major characters are actual historical figures: a young Native American warrior and a mixed-blood warrior; the true purpose of the script is to tell their fascinating story. I, however, am White. […]
I know this story isn’t a novel, but I’m not a biographer!
Dear Dr Darwin I recently came upon a long-dead member of my family, Jebediah, who did some amazing things, in all sorts of places in the world. I think lots of people would find Jebediah fascinating, but I’m not equipped to do the formal, thorough research that a biography would need. Nor is there a […]