On a late spring night in 1732, a boisterous group of friends set out from their local pub. They are beginning a journey, a ‘peregrination’ that will take them through the gritty streets of Georgian London and along the River Thames as far as the Isle of Sheppey. And among them is an up-and-coming engraver […]
Books of Hours and their role in women’s lives
Medieval Books of Hours were far more than devotional aids; as beautiful, cherished objects they were a way for their creators and owners to experiment with miniature art and ideas, often carrying hidden messages. And, being made for private use, they had a special significance for women, the bestselling author Elizabeth Buchan explains. Two miniature […]
Angelica Kauffman, artist and pioneer
This month’s guest post is by the novelist Miranda Miller, who writes about the subject of her latest book, the artist Angelica Kauffman. Angelica, Paintress of Minds was published in summer 2020, when the Royal Academy was to show a major exhibition of the artist’s works; but this, like other public events, was cancelled. Miranda […]
Review: Art Deco by the Sea
Historian Lucy Jane Santos reviews Art Deco by the Sea, an exhibition at the University of East Anglia’s Sainsbury Centre, transferring to the Laing Art Gallery in Newcastle in the summer. The term Art Deco, coined in the 1960s, refers to the decorative modern style that spanned the boom of the roaring 1920s and the […]
Unforgettable legacies of the East India Company
Historian William Dalrymple’s profile is high at the moment, with an acclaimed book about the East India Company published recently and an exhibition he curated opening this month. We’re delighted that Vayu Naidu has interviewed him for Historia and writes here about Dalrymple’s wide vision, as shown by his writing and his selection of paintings. […]
Writing Mrs Whistler
Author and art historian, Matthew Plampin, on Whistler’s mysterious muse. Mrs Whistler started with the art. I’ve been fascinated by the paintings of James McNeill Whistler for as long as I can remember. At the time he was working, artists of the avant-garde were being grouped together, as Pre-Raphaelites, for example, or Impressionists, or Symbolists. […]