Dr Darwin tackles a topical question: are there multicultural boundaries we must not cross in historical fiction? Or, how do we cross them without stepping on toes? Dear Dr Darwin, I’m working on a script that begins during the 1830’s. The central character is a fictional young Black teen, and two major characters are actual […]
I know this story isn’t a novel, but I’m not a biographer!
Dear Dr Darwin I recently came upon a long-dead member of my family, Jebediah, who did some amazing things, in all sorts of places in the world. I think lots of people would find Jebediah fascinating, but I’m not equipped to do the formal, thorough research that a biography would need. Nor is there a […]
Historian? Novelist? Reader? Who should I go to for feedback?
Dear Dr Darwin I’ve got to the stage where I want feedback on my novel-in-progress, but I only know non-historical novelists, or non-novelist historians, or readers of historical fiction who don’t write it. I don’t want to ask too many at once, for fear of getting confused, so which should I go for? P.S. I […]
Zounds! Whatevs! How can I find the right voice for my novel?
Dear Dr Darwin My characters don’t think they sound historical, but their present-day isn’t my present-day: they are Other to us. If I make them sound like 21st century people then the novel will just be like a modern film in pretty period costumes, but if I try to write the novel as it would […]
I know what story I want to tell; how do I tell it?
Dear Dr Darwin, I’ve found a gripping set of historical events that I want to build a novel round, and before you start shaking your Tudor bonnet, it’s not because I have a non-fiction agenda: this is a glorious concatenation of politics, faith, personalities, clothes, weapons and all the other things that make historical fiction […]
The need to fact-check is strangling my creative mind!
Dear Dr Darwin, I know we have to get the facts right, or risk the reader not buying into their side of the contract of fiction, but I do get so fed up with having to fact-check the whole time. When I sit down to write, I have stacks of books and files of images, […]
How do I find imaginative space between what I know of the facts?
Dear Dr Darwin You’ve talked elsewhere about finding the “white space between the facts” on which we can write, and I think I’ve found a time and place – the run-up to Waterloo – which gives me (just about) enough white space for fiction. But I’m finding it very hard to write anything on those […]
Writing About Writing
Emma Darwin ponders the challenges of writing her new guide to historical fiction. I’ve been known to argue that writing historical fiction is the ultimate challenge for a novelist, so I shouldn’t have been surprised that when John Murray Learning commissioned me to write Get Started in Writing Historical Fiction for their Teach Yourself imprint, […]